![]() ![]() ![]() They stop at, "Well, it's too clinical for me, so I can't." Or it's too academic or something, or bookish or planned or something like that. So I'm going to dig underneath things that people used to stop at years ago. So the main thing I liked about it was it was to the point, regardless of whatever the clinical ingredient that was in it. You can have a solo in the middle for miles and miles, and then you have two bookends at the head, then you play the head, you move on again. Anything, doesn't have to be jazz, anything that's really long and drawn out and repetitive or is redundant, especially when it comes to taking solos or improvised solos. Wayne Shorter: I think it was mainly clinically dominated, in a sense, but well put together as a piece of jazz representative music that comes out in today's time, where it's not long and drawn out.
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